![]() ![]() The Fusion allowed Cameron, Furio and the crew to shoot in 3D with a revolutionary quieter, smaller setup. Much of the film was shot with the Fusion Camera System, a digital 3D apparatus co-developed by Cameron and since used with several other films. Director James Cameron famously spent fifteen years developing the technology and the world of Avatar, waiting until it was physically possible to bring his vision of a distant alien world to life. The film’s digital and live action elements are inseparable, however, and it’s impossible to talk about the look of Avatar without understanding its technical foundation. However, Avatar bears the marks of a Mauro Fiore-shot film, and despite its abundance of digital effects, is a superbly photographed movie worthy of its award. Its competitors in the Cinematography category included a gritty indie film shot on 16mm, a stylistic Tarantino World War II film, a gloomy Harry Potter sequel and a black & white German drama. Avatar is nearly seventy percent computer generated, in some respects practically an animated film, and Fiore had only been behind the camera for less than a third of the movie’s running time. While Avatar’s dominance was no surprise to anyone, its win for Cinematography was interesting considering its competition. It also won the Academy Award for Best Cinematography for its director of photographer, Mauro Fiore, an Italian-American who has also shot the films Training Day, The Island, Real Steel, and Runner Runner, to name a few. The biggest box office hit of all time, Avatar also revolutionized motion capture and 3D in Hollywood and picked up several Oscar nods and wins, including a nomination for Best Picture. Avatar wasn’t just a theatrical release in 2009, it was a full blown force of nature. ![]()
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